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The God Father (Series 1 - 3) English Movie Download

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The Godfather written on a black background in stylized white lettering, above it a hand holds puppet strings.



Directed byFrancis Ford Coppola
Produced byFrancis Ford Coppola (2–3)
Albert S. Ruddy (1)
Gray Frederickson (2)
Fred Roos (2)
Fred Fuchs (3)
Written byMario Puzo
Francis Ford Coppola
Robert Towne (1)
Based onThe Godfather
by Mario Puzo
StarringAl Pacino
Diane Keaton
Robert Duvall (1–2)
John Cazale (1–2)
Talia Shire
Sterling Hayden (1)
Al Lettieri (1)
John Marley (1)
Marlon Brando (1)
James Caan (1)
Richard S. Castellano (1)
Simonetta Stefanelli (1)
Robert De Niro (2)
Morgana King (2)
Marianna Hill (2)
Lee Strasberg (2)
Michael V. Gazzo (2)
Andy GarcĂ­a (3)
Sofia Coppola (3)
Eli Wallach (3)
George Hamilton (3)
Joe Mantegna (3)
Music byNino Rota
Carmine Coppola
Carlo Savina (1)
CinematographyGordon Willis
Edited byPeter Zinner (1–2)
Barry Malkin (2–3)
William H. Reynolds (1)
Richard Marks (2)
Lisa Fruchtman (3)
Walter Murch (3)
Production
company
Alfran Productions (1)
American Zoetrope (3)
Distributed byParamount Pictures
Release dates
  • 15 March 1972
  • (The Godfather)
  • 20 December 1974
  • (The Godfather Part II)
  • 25 December 1990
  • (The Godfather Part III)
Running time549 minutes
CountryUnited States
LanguageEnglish
Italian
Spanish
Budget$73.5 million
Box office$574.8 million


The Godfather Review: The Godfather is as good as everyone says it is. It’ a near flawless film that achieves so much with so little. What it has is a fantastic script, amazing cast and a director with a vision. No fancy tricks, gimmicks, 3D or any other crap. The Godfather is template on which films should be made but ,sadly, they don’t do it. 
Just like Jackie Brown, Infernal Affairs, Il Mare, Daisy, Heat, Network, Glory, Dog Day Afternoon, The Bridge on the River Kwai, Manhunter, My Sassy Girl and so on, The Godfather takes it’s time to develop its characters, allows you to enjoy the performances with slow and steady direction and makes a great use of atmosphere. I love films that allow us to sit down and enjoy a story with very strong characters. I’ll take The Godfather over Avengers, Dark Knights, Pulp Fictions any day.
It’s nearly impossible to name all the great things that are in Godfather. The cast is terrific with some our greatest actors of all time: Al Pacino, Marlon Brando, John Cazale, James Caan, Sterling Hayden, Talia Shire, Robert Duvall and so on. The direction by Francis Ford Coppola s fantastic and his co-written script with Mario Puzo is flawless. Al Pacino shines above all in this movie, as the smart boy of the family he returns after fighting a war for his country, at that time not involved in the family business, but it doesn’t take long before the war breaks lose and he see no other ways than to step in and fight for his family. The Godfather is a film for an adult. It’s made for people that can appreciate a great storytelling and all the craftsmanship put into it. Godfather should be seen by anyone who considers himself a fan of film and film making. This is definetely a “must see” masterpiece.
Links to Download The Godfather in an excellent SQ print:




The Godfather Part II




The Godfather Part II, the second film in the franchise, was released on December 20, 1974. The feature-length film was again directed by Francis Ford Coppola and based upon Mario Puzo's novel of the same name. The film is in part both a sequel and a prequel to The Godfather, presenting two parallel dramas. The main storyline, following the first film's events, centers on Michael Corleone, the new Don of the Corleone crime family, trying to hold his business ventures together from 1958 to 1959; the other is a series of flashbacks following his father, Vito Corleone, from his childhood in Sicily in 1901 to his founding of the Corleone family in New York City.


The Godfather Part III


The Godfather Part III, the third film in the franchise, was released on December 25, 1990. Francis Ford Coppola reprises his role as director for the feature-length film, while also writing the screenplay with the help of the author Mario Puzo. It completes the story of Michael Corleone, a Mafia kingpin who tries to legitimize his criminal empire. The film also weaves into its plot a fictionalized account of real-life events — the 1978 death of Pope John Paul I and the Papal banking scandal of 1981–1982 — and links them with each other and with the affairs of Michael Corleone.

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